SiglumPa12
ShelfmarkParis, Bibliothèque Nationale de France, lat., 1118 (sez. III)
Classification Nr.249
MaterialParchment
ProvenanceSaint-Martial (Limoges)
OriginFrancia meridionale
Size245 × 148
ContentsComposito (sez. I-IV):

Sez. III (ff. 144-247)

Prosarium (ff. 144r-247v), tra cui:
Christus rex (ff. 196v-197r)

TypeProsarium
Lay-outFull page
FunctionLiturgical
SourcePhotography
Datesec. X - XI; 1000 ca.
StudiesAndrews Johansson, The Feasts, p. 23; Anglés, Música a Catalunya, p. 271; Atkinson, Amnos tu theu, pp. 19-20, 26; Atkinson, Earliest Agnus Dei, p. 13; Atkinson, Missa greca, pp. 122, 129, 132, 137; Bailey, Formulas, p. 95; Bannister, Sequenza per l'Epifania, p. 9; Bannister, Tropaire-prosier de Moissac, p. 562; Bjork, The Kyrie Trope, pp. 12-3, 16, 20, 31-3; Björkvall, Anciennes séquences, pp. 171-2; Björkvall, Resurrexit Dominus, pp. 31-44; Björkvall, Tropaires d'Apt, p. 422; Björkvall-Haug, Form und Vortrag, pp. 176, 205; Bodelón García, Carmina Burana, p. 310; Bourgain, Manuscrits de poésie rythmique, pp. 267, 269, 271; Bradley, Aurea frequenter, pp. 113-35; Bradley, Iam dulcis amica, pp. 104-15; Chailley, Anciens tropaires, pp. 163, 177-9; Chailley, École musicale, pp. 92-6; Conant, The Apse at Cluny, pp. 31-2; Crocker, Frankish Sequence, p. 343 n. 14; Crocker, Ninth-Century Sequences, p. 375; Crocker, Rec. a: M. Huglo, Les Tonaires, pp. 492-3; Crocker, Repertory of Proses, pp. 153-4, 160; Crocker, Sequence, p. 293; Crocker, The Troping Hypothesis, pp. 187-8, 194, 199; Evans, Early Trope, p. 51; Gaborit-Chopin, Décoration des manuscrits, p. 185; Gastoué, Anciens chants, pp. 11-3; Gautier, Les tropes, p. 114; Graf, Portraits de Hildegarde, p. 185 n. 27; Grier, Scriptio interrupta, p. 236; Gros i Pujol, Els Tropers Prosers, pp. 111-2, 311 (passim); Guillou, Kyriale Vatican, (passim); Gutmann, Bild der Hs. 1118, pp. 1-42; Handschin, Neumenschrift, (passim); Härdelin, Gesänge der Anagogie, p. 144 (passim); Hermann, Die frühmittelalterlichen Handschriften, pp. 404-19; Huglo, Chansons d'amour, p. 197 (passim); Huglo, Deux séquences, pp. 77-82; Huglo, Tonaires, pp. 111, 132, 145, 398; Husmann, Alleluia, Vers und Sequenz, p. 52; Husmann, Sequenz und Prosa, p. 66 (passim); Husmann, Sinn und Wesen, p. 143; Husmann, Tropen- und Sequenzenhandschriften, pp. 124-6; Iversen, Cycle de Pâques, p. 38 (passim); Iversen, Early Tropes, pp. 186-7, 190-3; Iversen, Tropes de l'Agnus Dei, p. 21; Iversen, Tropes du Sanctus, p. 55 (passim); Jonsson, Cycle de Noël, p. 48 (passim); Landes, Libellus from St. Martial, p. 202 n. 4; Lauer, Catalogue, pp. 408-9; Lesne, Livres, Scriptoria, p. 504 n. 1; Loth, Auteur de l'imitation, p. 101; Marcusson, Tropes de l'alleluia, p. 13 (passim); Mascari, Quem prophetae cecinere, pp. 96, 98-9; MGH Poetae IV, 2, p. 660; Phillips-Huglo, Rex caeli, pp. 36-43; RISM, p. 124; RISM I, pp. 91-2; Samaran-Marichal, Catalogue des manuscrits, p. 57; Santosuosso, Paris, BN 7211, p. XXI; Seebass, Musikdarstellungen, I-II; Smits, Musikerziehung, pp. 92, 122; Smits, Muziekgeschiedenis, II, p. 585; Spanke, Zur lateinischen Sequenz, p. 375; Steiner, Antiphons, pp. 9, 13; Steiner, Gregorian Chant, p. 245; Steiner, Music for Cluny Office, pp. 105-6; Steiner, Prosulae of the ms. 1118, pp. 367-93; Steiner, Responsories and Prosa, p. 173; Tropaires de la Bibliothèque Nationale, p. 8; Vecchi, Planctus di Guidino di Luxeuil, p. 37.

Texts#f. 196v# CHRISTE REX \VIA/ LVX ET VI\T/A. Qui cuncta ALIA |