1.7 — Anima nimis misera

NotazioneDatazionesec. X; ?
TipoAquitanian
NoteA competent script whose disposition suggests relative diastematy.
TrascrizioneTrascrizioni
diplomatiche
 Anima-Paris1154
Trascrizione
alfanumerica
3a, 1c, 1c, 1b, 2b, 2a, 2b, 2a | "2b", 2a, 1b, 3b, 1c, 2a, 2b, 1b | 1c, 1c, 2a, 2b, 1c, 2a, 2b, 1b | 1c, 1c, 1c, 2b, 2b, 1c, 1c, 2b | 1b, "2b", 1b, 1c, 2a, 3a'', 5'''b | 2a, 2''x, 1b, 4'''e, 3''b, 4'''e, 1c | 2b, 1c, 3c, 1b, 1b
Tavole
di confronto
 XAnimanimis-1   XAnimanimis-2
MelodiaNo systematic patterns of repetition can be observed, although the four lines of the strophe share the same shape of rising intonation, medial descent and a cadence that rises then descends. The melody of the refrain is more melismatic in style from quia onwards.
Trasmissione
The two surviving notated melodies share several points of similarity in melodic profile, although the two melodies are far from identical since there are clear points of difference on at least two syllables per line. The correlation in the placement of melismas of three or more pitches lends weight to any assertion of proximity, although in the refrain these melismas often differ in details of melodic contour. It is not possible to come to any firm conclusion about the relation between the two notated melodies. Although they share several points of similarity in melodic profile, they are far from identical since there are points of difference on at least two syllables per line. The correlation in the placement of melismas of three or more pitches lends weight to any assertion of proximity, although in the refrain these melismas often differ in details of melodic contour.