|Notation||Date||10th - 11th c.|
|Notes||Notation was added to lines xiv-xvi, a disposition that cuts across the three-line strophes of the text. The individual neume forms, although differing slightly in morphology, retain an axis of circa fifteen degrees to the right of the vertical.
No similarities can be traced between the three surviving notated melodies in either melodic profile or organization.
|1a, 1c, 1a, 1a, 1c, 1a, 1a, 1c, 1a, 1a, 1c, 2b, 1d, 1a, 3b | 1b, 1b, 1a, 1c, 1a, 1a, 2a, 1d, 1a, 1d, 1a, 2b, 1d, 1a, 3b | 1b, 1b, 1a, 1d, 1a, 1a, 2a, 1d, 2a, 2b, 1a, 1a, 1c, 1a|
|Melody||The first halves of lines xv and xvi demonstrate a similar sequence of neumes. The last four syllables of lines xiv and xv likewise receive a similar sequence of neumes. Rearranged into strophic form, these resemblances may be summarized as: ab, cd, ad'.|