Notazione | Datazione | sec. IX - X | ||||||
Tipo | Nord-Italia | |||||||
Note | A notation whose variation in sign formation suggests an early date. The liquescent clivis ("2b") and virga strata (2V) forms are notable for their idiosyncratic formation. | |||||||
Trascrizione | Trascrizioni diplomatiche | Otuqui-Modena | ||||||
Trascrizione alfanumerica | [ ], [ ], 1b, "2b", 1b, 1b, 2a, 1b, 1b, 1b, 1b, 2V | 2a, 1b, "2b", 1b, 2V, 1b, 2a, 2b, "2b", 2a, 1b, 1b || 1a, 1a, 1b, 1a, 1b, 1b, 2a, 1b, 1b, 1b, 1c, 2V | 2a, [ ], "2b", [ ], 2V, 1b+2a, 2a, "2b", [ ], 2a, 1b, 1b || 1b, 1b, 1b, 1a, 1b, [ ], 2a, "2b", 1b, 1b, 1b, 2V | 2a, 1b, "2b", [ ], 2V, 1b, 2a, "2b", 3c, 2a, 1b, 1b | |||||||
Melodia | The melody appears to repeat every two lines, a pattern that accords with the syntactic closures in the text. A departure from the established melodic pattern occurs in the fourth line, where two neumes (tractulus and pes) instead of the usual one (tractulus) were added to the first syllable of fraudulenta. The most likely explanation for this anomaly is that the 'a' and 'u' were sounded separately (fra-u-du-len-ta). The end of the first line and caesura in the second line are marked by virgae stratae (2V), whose use at points of textual articulation is commonly understood to bring phrases both to conclusion (through unison notes) and into binding (through lending weight to the following note). | |||||||
Trascrizioni storiche |
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Edizioni musicali |