|Notation||Date||10th c.; ?|
|Notes||The notation was probably added at the same time as the text, which has itself been dated to the tenth century: see B. Bischoff, 'Gottschalks Lied für den Reichenauer Freund', Mittelalterliche Studien II, Stuttgart, 1967, p. 29. A restricted range of signs is employed, but their execution is notable in so far as the angle of the tractulus (1b) varies from the horizontal to a slight upward slant depending on the direction of the melodic motion and thus also the movement of the hand across the page.
No similarities between the two surviving notated melodies for this text can be discerned with any certainty.
|2a, 1c, 1a, 1c, 1b, 1a, 1a, 1a | 1b, 1c, 1a, 1a, 1b, 1a, 1a, 2V | 1a, 1b, 1c, 1c, 1a, 1a, 1a, 1b | 1b, 1a, 1b, 1c, 1a, 1b, 1a, 1c | 1a, 1a, 2V, 1c | 1a, 1b, 1a, 1c, 1c, 1b, 1a || 1a, 1a, 1c, 1a, 1b, 1a, 1a, 1a | 1b, 1b, [ ], [ ], [ ], 1a, 1a, 1a | 1a, 1b, 1b, 1c, 1a, 1a, 1a, 1b | [ ], [ ], 1c, 1b, 1a, 1b, 2b, 1c | 1a, 1a, 2V, 1b | 1a, [ ], 1a, 1b, 1c, 1a, 1a|
|Melody||No melodic or melodic-poetic patterning is recoverable within the strophe. The almost entirely syllabic melody is similar in profile between the two notated strophes.|