1.25 — Qui signati estis Christo

NotazioneDatazionesec. X; ?
TipoFrench
NoteThe heavy appearance of the notation is also characteristic of the text. Since the ink colours of the two are now identical, and the thick strokes of the notation are roughly equivalent in dimension to the strokes in the text, it is possible that the text scribe was also responsible for the notation. Variation in formation is particularly prominent in the dash that constitutes the tractulus (1b), which ranges from a straight line, to a tilted 'r' form, to a tick shape.
TrascrizioneTrascrizioni
diplomatiche
 Quisignati-Be455
Trascrizione
alfanumerica
1b, "2b", 1b, 2b, 1b, 2b, 1b, 1b 1b, "2b", 1c, 1b, 1b, 1b, 1b, 1b | 1b, 1b, 1b, 1b, 1b, 1b, 1b, 1b 1b, 1b, 1c, 1b, 1b, 1b, 1b, 1b | 3b, 2a, 1b, 2b, 4e', 2b, 2a, 1b
Tavole
di confronto
 XQuisignati
MelodiaBeyond the increased melismatic style of the refrain, no melodic or melodic-poetic patterning is recoverable.
Trasmissione
The only point of similarity that can be established between the two notated melodies is that both employ a more melismatic style for the
refrain.