Notazione | Datazione | sec. X; ? | |||||||||
Tipo | Aquitanian | ||||||||||
Note | A competent script whose forms vary widely in thickness and whose disposition appears to indicate relative diastematy. | ||||||||||
Trascrizione | Trascrizioni diplomatiche | Aurora-Paris1154 | |||||||||
Trascrizione alfanumerica | 1c, 1c, 1b, 1c, 1c, 1b, 1b, 2a, 1b, 1c, 1c, 2b, 1b, 1c, 1b 1b, 1b, 1b, 1c, 1c, 1b, [ ], 1c, 1b, 1b, 1b, 1b, 1b, 1c, 2b 1c, 1c, 1b, 2a, 1c, 1b, 2b, 2a, 1b, 1b, 1b, 2a, 1b, 1b, 1b 1b, 1a, 1b, 1', 1b, 1b, 2b, 2a, 1b, 1c, 1b, 2b, 1b, 1c, 1b | ||||||||||
Melodia | Little can be securely recovered from the neumatic notation about the melody, although the relative disposition of the neumes strongly suggests a melody of restricted range, especially in the second line which appears to be made up for the most part of recitation on a monotone (syllables 3-6 and 9-12). The neumes added to the first line of the second strophe differ at only one point from those of the first strophe: the seventh syllable in the second strophe has a two-note neume in place of the single-note neume of the first strophe. | ||||||||||
Trascrizioni storiche |
| ||||||||||
Edizioni musicali |