Notazione | Datazione | sec. X - XI | |||
Tipo | Aquitanian | ||||
Note | A script that is carefully heighted across the page to the extent that if an initial pitch and overall modality were assumed melodic reconstruction might be attempted. With this said, custodes, which indicate relative pitch between lines and are therefore vital to reconstruction, are used at the end of only the first two lines. The neume forms lack the lighter strokes of other Aquitanian scripts. Due in part to this uniformity of density, it is on occasion difficult to distinguish between the punctum (1c) and the tractulus forms (1b). | ||||
Trascrizione | Trascrizioni diplomatiche | Tertio-Paris1121-1 Tertio-Paris1121-2 Tertio-Paris1121-3 | |||
Trascrizione alfanumerica | 1b, 1b, 1b, 1b, 2b, 4e, 1b, 1c, 1c, 2a, 2b, 1b, 1b, 2b, 1b | 1b, 1b, 1b, 1b, 2b, 3c, 1b, 1b, 1b, 2a, 2b, 1b, 1b, 2b, 1b | 1b, 2b, 1c, 1b, 1c, 1b, 1c, 1c, 1b, 1b, 1c, 1b, 2a, 1b, 1b | 1c, 2b, 3c, 1b, 1b, 1b, 2a, 3''D, 1b, 2b, 3b, 2b, 1b, 2a, 1b || 1b, 1c, 1b, 1b, 2b, 3c, 1b, 1b, 1c, 2a, "3b", 1b, 1b, 2b, 1b | 1b, 1b, 1b, 1c, 2b, 3c, 1b, 1b, 1c, 2a, 2b, 1b, 1b, 2b, 1b | 1b, 2b, 1c, 1c, 1c, 1c, 1b, 1b, 1c, 1c, 1c, 1c, 2a, 1b, 1b | 1c, 2b, 3c, 1b, 1c, 1c, 2a, 3''D, 1c, 2b, 3b, 2b, 1c, 2a, 1b || 1b, 1b, 1c, 1c, 1b, 1b, 1b, 1b, 1b, 1b, 1b, 2a, 1c, 1c, 3c | 1b, 2a, 1b, 1c, 1b, 1c, "2a", 1b, 1b, 1b, 1b, 1b, 2a, 1c, 1b, 3c | 1b, 1b, 1b, 2a, 2a, 1b, 1c, 2a, 1b, 2b, 1b, 2b, 1b, 2a, 1b | 1b, 1b, 2a, 1b, 3b, 3c, 2b, 2b, 1b, 1b, 4c'', 2b, 1c, 2a, 1b || 1b, 1b, 1c, 1c, 1b, "2a", 1b, 1b, 1b, 1b, 1c, 2a, 1c, 1c, 3c | 1b, 2a, 1b, 1c, 1b, "2a", 1b, 1b, 1b, 1b, 1b, 2a, 1c, 1c, 3c | 1b, 1b, 1b, 2a, 2a, 1b, "2b", 2a, 1b, 2b, 1b, 2b, 1c, 2a, 1b | 1b, 1b, 3b, 1c, 3b, 3c, 2b, 2b, 1b, 1b, 4c'', 2b, 1c, 2a, 1b || 1c, 1c, 1b, 1b, 1c, 1c, "2b", 2V, 1c, 2a, 1b, 1b, 1c, 1b, 1b | 1c, 1c, 1c, 1c, 1c, 1b, 1b, 2V, 1c, 2a, 1c, 1b, 1c, 1b, 1b | 1b, 1b, 1b, 1b, 1b, 1b, "3b", 1b, 1b, 1b, 1b, 1b, 1c, 1c, 1b | 1b, 1b, 3'''B', 1b, 1b, 1b, 3b, 1b, 1b, 1b, 1c, 1c, 1c, 1c, 1b | 1c, 1b, 1b, 1b, 1b, 1b, 1c, 2V, 1b, 2a, 1b, 1c, 1b, 1c, 1b | 1b, 1b, 1b, 1c, 1c, 1b, 1c, 2V, 1c, 2a, 1b, 1b, 1b, 1b, 1b | 1b, 1b, 1b, 1b, 1b, 1b, 2b, 1b, 1c, 1c, 1c, 1c, 1c, 1c, 1c | 1b, [ ], 3'''B, 1c, 1c, 1b, 3b, 1b, 1b, 1c, 1c, 1c, 1c, 1c, 1b || 1b, "2a", 1b, 2b, 1b, 2b, 1b, 1b, 1b, 1c, 1c, 1c, 1b, 1c, 1b | 1b, 1b, 1b, 1b, 1c, 1c, 2b, 1b, 1c, 2a, 1c, 1b, 1b, 2a, 1b | 1b, 1b, 2a, 1c, 1b, 1c, 1c, 2a, 1c, 1b, 1b, 1c, 1b, 2a, 1b | 1b, 1b, 2a, 1b, 1c, 1c, 1c, 2a, 1c, 1c, 2a, 3b, 1b, 2a, 1b || 1b, 2a, 1b, "2b", 1b, 2b, 1b, 1b, 1c, 1c, 1b, 1c, 1c, 1b, 1b | 1b, 1b, 1b, 1b, 1c, 1b, 1c, 2b+1b, 1b, 1c, 1c, 1b, 1c, 1b, 1b | 1b, 1c, 2a, 1b, 1c, 1c, 1c, 2a, 1c, 1c, 1c, 1c, 1b, 2a, 1b | 1b, 1b, "2a", 1b, 1c, 1c, 2b, 2a, 1c, 1c, 2a, 3b, 1c, 2a, 1b || 1c, 1c, 1b, 1c, 1c, 1c, 2b, 1b, 1c, 2a, 1c, 1b, 1b, 1b, 1b | 1b, 1b, 1b, 1b, 1c, 1c, 2b, 1b, 1b, 2a, 1b, 1b, 1b, 2a, 1b | 1b, 1b, 1b, 1b, 1b, 1b, 2b, 1b, 1b, 1b, 1b, 1b, 1b, 1c, 1a | 1b, 1c, 3'''B, 1b, 1b, 1b, 3b, 1c, 1c, 1b, 1b, 1c, 1c, 1c, 1b | ||||
Tavole di confronto | XTertioinflore | ||||
Melodia | A new melody is signalled every pair of strophes. The last verse receives a unique melody. The overall scheme of melodic repetition by strophe may thus be summarized as AA, BB, CC, DD, E. Within individual strophes, melodic repetition by line can be discerned: the pattern AABC is used for strophes one to six and nine, and the pattern ABCC is used for strophes seven and eight.
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Trascrizioni storiche |
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Edizioni musicali | |||||
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